Rumors of new Nikon camera back blows. This time, the Japanese vendor is rumored to be brewing full-frame DSLR camera that is priced cheaper.
Various parties speculated that the camera is meant to be called the D600. Predicted camera into the entry level is believed to be a substitute for D700 series.
Nikon Rumors on its website any predictions spee dup D600 specification. Some of them are dual SD card slot, in-camera RAW editor, GPS and the absence of features of HDR.
No mention of the resolution that would force provide, but he is believed to be released in the summer, reports of NikonRumors, Thursday (04/26/2012).
Nikon has just released his own camera in 3200 where he was provided with 24.2 MP. The release was carried out after the market were surprised by the presence of D800 is equipped with a 36.3 MP resolution.
Minggu, 29 April 2012
Sabtu, 21 April 2012
Nikon D800
The accomplished: The Nikon D800 boasts stellar photos, tremendous videos, quick performance, and a relatively sleek shooting design.
The bad: While there's nothing major to complain on the order of, the D800's battery life can habit a boost.
The base line: An unsurprisingly extreme camera that's worth all penny of its elevated cost in lieu of its target advertise of certified nonsports photographers, the Nikon D800 must undeniably please persons who've been waiting patiently to put back their adult Nikon equipment.
Nikon D800 photo samples
After I beg your pardon? Feels like a long dearth, this quarter looks like a desert flood of pro cameras, with a host of extreme models incoming to facilitate really recover on the already-great models to facilitate came sooner than. The principal of these to frustrate my path is the Nikon D800, a terrific full-frame kind that's besieged on nonsports professionals such as wedding, landscape, and architectural photographers whose subjects in general don't hurry across the event aside from in lieu of maybe a runaway bride or two. Any judgments on the order of Editors' Choice Award-worthiness will bear to stop until I've shot with about competitors, largely notably the Canon EOS 5D correct III.
The D800 in reality comes in two versions, standard and a more expensive D800E kind to facilitate incorporates a modified low-pass filter practice to facilitate results in little to rejection antialiasing, and therefore in general sharper photos. The latter will probably be unacceptable in lieu of tape; aliasing can be a real problematic in tape and it's much harder to correct in post-production, so you need to facilitate filter.
Image quality
I wouldn't expect the photo quality on this camera to be minus than spectacular, and it delivers. It's ridiculous to apply a testing greater limit on the usability on some specific ISO sensitivity since unlike a allocation of cameras the D800 has rejection clatter wherever it doesn't "need" it; I'm surefire it's probably fast up the sensor uniformly, but the photos simply don't look it. Plus, on minus than 100 percent survey in a allocation of personal belongings you simply won't think about it the clatter. And after you level down, the elevated firmness of the sensor compensates in lieu of some irregularity loss due to clatter reduction.
At on the order of ISO 1600, I make sure of think about it a sizeable an adequate amount of divergence connecting JPEG and red quality in lieu of darker images to facilitate makes it worth dealing out red to understand better results. Between ISO 400 and ISO 1600 it depends winning the content of the image, but in lieu of the largely part the JPEGs look pretty clean and intelligently processed. Even in the extended ISO ranges you can understand moderately solid images if you're not reluctant to about smoothing to even absent the serious grain and a allocation of clipping in the highlights and shadows. That believed, I can't imagine some photo from this camera to facilitate wouldn't be usable in about way.
Nikon D800 ISO 800 sample with rejection clatter reduction useful. This is normal in lieu of indistinguishable areas. On areas with reasonable illumination there's rejection clatter whatever.
The dynamic range is impressive. While JPEGs bear unsurprising clipping in the highlights of high-contrast photos, there's ample of conscript recoverable in the red; I didn't think about it much in the way of clipped shadows, but there's ample of recoverable conscript in the dark areas as well. And it handles intelligent, saturated reds, pinks and purples very well, devoid of blowing absent some conscript. All the exposures are dead-on. The automatic white balance is very soon a drop cooler than I like, but that's eminently tweakable to your taste, reasonable down to an option to preserve the amiability of enclosed lighting in ample AWB. Overall, the photos very soon bear beautiful tonality.
The tape looks really accomplished, though I can't yet say whether or not it's better than many of the alternatives. While there's about moiré, there's rejection rolling cover up to talk of, it's moderately quick-witted, and the tonal range in both light and dark looks very smooth and broad. It might need about grading -- reasonable absent of the camera into a player contrast is exaggerated, but in an cutting effort it looks correct. Low-light tape (about ISO 3200 or so, as in the frame grab below) isn't noise-free on ample size but I think largely mercantile shooters will observe it acceptable if they need to spurt in ambient light, and even about indie tape pixel-peepers will be quite blissful with it.
Here's a tape frame, scaled down, to give out you a sensation of the tonal range of night tape.
Performance
For a pro camera that's not intended in lieu of sports, the D800 delivers tremendous shooting performance. It powers on and shoots almost straight away. Hip accomplished light, it focuses and shoots in on the order of 0.1 minute, increasing a speck to 0.4 in dim light. Sequential shooting of JPEG or red store takes very soon .25 minute; though we didn't test the TIFF race, it feels on the order of the same, and raw+JPEG feels fast and fluid in both single- and continuous-shooting modes. With twinkling recycling, shot-to-shot instance increases to very soon 0.7 minute. Its relatively modest burst won't win some race awards on 3.9 frames for every minute, but it's helpful. (I tested with the SanDisk 100MBps Extreme Pro CF license.)
The bad: While there's nothing major to complain on the order of, the D800's battery life can habit a boost.
The base line: An unsurprisingly extreme camera that's worth all penny of its elevated cost in lieu of its target advertise of certified nonsports photographers, the Nikon D800 must undeniably please persons who've been waiting patiently to put back their adult Nikon equipment.
Nikon D800 photo samples
After I beg your pardon? Feels like a long dearth, this quarter looks like a desert flood of pro cameras, with a host of extreme models incoming to facilitate really recover on the already-great models to facilitate came sooner than. The principal of these to frustrate my path is the Nikon D800, a terrific full-frame kind that's besieged on nonsports professionals such as wedding, landscape, and architectural photographers whose subjects in general don't hurry across the event aside from in lieu of maybe a runaway bride or two. Any judgments on the order of Editors' Choice Award-worthiness will bear to stop until I've shot with about competitors, largely notably the Canon EOS 5D correct III.
The D800 in reality comes in two versions, standard and a more expensive D800E kind to facilitate incorporates a modified low-pass filter practice to facilitate results in little to rejection antialiasing, and therefore in general sharper photos. The latter will probably be unacceptable in lieu of tape; aliasing can be a real problematic in tape and it's much harder to correct in post-production, so you need to facilitate filter.
Image quality
I wouldn't expect the photo quality on this camera to be minus than spectacular, and it delivers. It's ridiculous to apply a testing greater limit on the usability on some specific ISO sensitivity since unlike a allocation of cameras the D800 has rejection clatter wherever it doesn't "need" it; I'm surefire it's probably fast up the sensor uniformly, but the photos simply don't look it. Plus, on minus than 100 percent survey in a allocation of personal belongings you simply won't think about it the clatter. And after you level down, the elevated firmness of the sensor compensates in lieu of some irregularity loss due to clatter reduction.
At on the order of ISO 1600, I make sure of think about it a sizeable an adequate amount of divergence connecting JPEG and red quality in lieu of darker images to facilitate makes it worth dealing out red to understand better results. Between ISO 400 and ISO 1600 it depends winning the content of the image, but in lieu of the largely part the JPEGs look pretty clean and intelligently processed. Even in the extended ISO ranges you can understand moderately solid images if you're not reluctant to about smoothing to even absent the serious grain and a allocation of clipping in the highlights and shadows. That believed, I can't imagine some photo from this camera to facilitate wouldn't be usable in about way.
Nikon D800 ISO 800 sample with rejection clatter reduction useful. This is normal in lieu of indistinguishable areas. On areas with reasonable illumination there's rejection clatter whatever.
The dynamic range is impressive. While JPEGs bear unsurprising clipping in the highlights of high-contrast photos, there's ample of conscript recoverable in the red; I didn't think about it much in the way of clipped shadows, but there's ample of recoverable conscript in the dark areas as well. And it handles intelligent, saturated reds, pinks and purples very well, devoid of blowing absent some conscript. All the exposures are dead-on. The automatic white balance is very soon a drop cooler than I like, but that's eminently tweakable to your taste, reasonable down to an option to preserve the amiability of enclosed lighting in ample AWB. Overall, the photos very soon bear beautiful tonality.
The tape looks really accomplished, though I can't yet say whether or not it's better than many of the alternatives. While there's about moiré, there's rejection rolling cover up to talk of, it's moderately quick-witted, and the tonal range in both light and dark looks very smooth and broad. It might need about grading -- reasonable absent of the camera into a player contrast is exaggerated, but in an cutting effort it looks correct. Low-light tape (about ISO 3200 or so, as in the frame grab below) isn't noise-free on ample size but I think largely mercantile shooters will observe it acceptable if they need to spurt in ambient light, and even about indie tape pixel-peepers will be quite blissful with it.
Here's a tape frame, scaled down, to give out you a sensation of the tonal range of night tape.
Performance
For a pro camera that's not intended in lieu of sports, the D800 delivers tremendous shooting performance. It powers on and shoots almost straight away. Hip accomplished light, it focuses and shoots in on the order of 0.1 minute, increasing a speck to 0.4 in dim light. Sequential shooting of JPEG or red store takes very soon .25 minute; though we didn't test the TIFF race, it feels on the order of the same, and raw+JPEG feels fast and fluid in both single- and continuous-shooting modes. With twinkling recycling, shot-to-shot instance increases to very soon 0.7 minute. Its relatively modest burst won't win some race awards on 3.9 frames for every minute, but it's helpful. (I tested with the SanDisk 100MBps Extreme Pro CF license.)
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